De tentoonstelling UNLOCKED – The Art of Possibility neemt u mee achter de schermen van creativiteit. Naar het moment waarop mogelijkheden vorm krijgen. Waar verbeelding, verbinding, veerkracht, proces en innovatie meesterwerken tot leven brengen.De tentoonstelling vertrekt vanuit een overtuiging die Belfius al langere tijd uitdraagt: creativiteit is een essentiële motor voor verandering en vooruitgang. Kunstenaars tonen hoe openheid voor het onzekere nieuwe perspectieven opent, en hoe het creatieve proces zelf minstens zo betekenisvol is als het uiteindelijke resultaat.De tentoonstelling is opgebouwd rond werken uit de Belfius Art Collection, waarin oude, moderne en hedendaagse kunst samenkomen. U ontdekt er werken van Michel François, René Magritte, Panamarenko, Paul Delvaux, Félicien Rops, James Ensor, Koen Van Mechelen, Joris Van de Moortel, Pol Bury, Anne-Mie Van Kerkhoven en Jan Cox, maar ook de recentste aanwinsten van Belgisch talent zoals Marie Cloquet en Marie Rosen.In totaal worden maar liefst 73 werken gepresenteerd, waarvan een vijftigtal voor het eerst wordt getoond. Samen vormen ze een gelaagd parcours dat toont hoe creativiteit voortdurend in beweging blijft. Laat u verrassen door de rijkdom aan ideeën en vormen. Ontdek wat mogelijk wordt wanneer verbeelding de ruimte krijgt.innenkort te boeken

Peu de gens savent que le cimetière de Laeken est l'un des plus anciens et des plus artistiques de Belgique, et qu'un vaste réseau de catacombes se cache sous ce site en apparence paisible. Se promener dans ce lieu, c’est comme voyager dans le temps : les monuments funéraires révèlent une symbolique oubliée qui nous raconte comment les générations passées abordaient la vie, la mort et la mémoire. Au XIXe siècle, le deuil était un événement social, riche en rituels partagés et en lieux de commémoration soigneusement conçus — un univers qui contraste fortement avec la culture funéraire individuelle et sobre d’aujourd’hui.Vous vous promènerez le long des tombes de personnages historiques tels que Joseph Poelaert, architecte du Palais de Justice, Marie Poppelin, pionnière des droits des femmes, et Émile Bockstael, dernier bourgmestre de Laeken. Des artistes tels que Fernand Khnopff, Alphonse Balat, architecte des Serres royales, et des personnalités comme la chanteuse d’opéra La Malibran ont trouvé ici leur dernière demeure. Leurs tombes ne sont pas seulement des souvenirs, mais aussi des œuvres d’art à part entière — façonnées par la main de sculpteurs et d’architectes qui ont contribué à façonner l’art funéraire à Bruxelles. Chaque tombe raconte une histoire, allant de la tragédie personnelle au statut social.Au cours d'une visite guidée, vous découvrirez non seulement ces chefs-d'œuvre, mais aussi les catacombes souterraines, un ensemble rare et impressionnant que l'on ne trouve pratiquement nulle part ailleurs en Belgique. Ce n’est pas un hasard si ce cimetière est parfois surnommé le « Père Lachaise de Bruxelles » : la richesse de son art, de ses histoires et des émotions qu’il suscite est saisissante. Notre guide vous fera découvrir ses secrets, sa symbolique et son architecture — et vous fera quitter ce lieu exceptionnel avec un regard tout à fait différent.

In 1925, the Brussels-based architect Adrien Blomme designed a remarkable house in the Louise district. He was commissioned by the brewer Léon Wielemans, who built the house as a gift for his wife, Yvonne Wielemans-Hennet. Her passion for Spain formed the starting point for the entire design.What makes the building so special is the unique way in which it came into being. The Wielemans couple took Blomme to Granada in Andalusia, where he produced his first sketches on site. Inspired by the splendour of the Alhambra, Blomme brought the beauty of Moorish Andalusia to Brussels. He arranged the rooms around the patio to create a labyrinth of light, shadow and southern charm. No fewer than 5,000 azulejos, or traditional Spanish tiles, were used in the decoration.Today, the Hotel Wielemans stands as a rare testament to the flamboyant 1920s, where Belgian architecture and Spanish mysticism converge in unforgettable fashion. Visitors can sense Yvonne Wielemans’ vision and Adrien Blomme’s craftsmanship throughout the building. It is precisely this hidden treasure that makes the hotel well worth discovering: an unexpectedly warm place behind an austere façade that must be seen to be believed.

The Devalck House, a magnificent example of Brussels Art Nouveau, was designed in 1900 by architect Gaspard Devalck as a gift for his mother. The building showcases his characteristic attention to detail: the white stone façade is broken up by sleek strips of bluestone and delineated by fine lines of red brick, creating a harmonious and elegant pattern. Devalck later established his own studio there, turning the house into both a private residence and a workshop, imbued with creativity and craftsmanship.What makes Huis Devalck truly special are the beautifully preserved stained glass windows by master glassmaker Raphaël Evaldre. The windows bring the light to life and tell subtle stories in color and motif, giving each room a unique atmosphere. These artistic elements make the house not only an architectural gem, but also a living work of art that reflects the rich history of Brussels and its craftsmen. For visitors, it is an extraordinary experience to admire the details up close during a guided tour.Thanks to careful restoration, Huis Devalck was awarded a heritage prize, recognition for the quality and respect with which the building was restored. The current residents are completely enamored with their home and speak passionately about its history, architecture, and the works of art that adorn it. A visit inside Devalck House offers not only a glimpse of the splendor of early 20th-century Brussels, but also a story of dedication, creativity, and love for heritage—an experience you won't soon forget.

When Jean-Baptiste Dewin drew up the design for the town hall of Forest in the early 1930s, he was at the height of his career. The result is a magnificent Art Deco building in which modernist details are subtly interwoven. This architectural gem, in the municipality where Dewin himself lived, is one of the most remarkable town halls in Brussels.After a thorough ten-year renovation, the building once again shines in its original glory. The warm colors, the carefully restored De Coene furniture, and the craftsmanship evident in every room bring the atmosphere of yesteryear back to life. The town hall still fulfills its original function as a service center for the residents of Forest.During a visit to this remarkable building, Dewin's recognizable design language unfolds, full of refined references to nature and local identity. For the design, he drew inspiration from the wooded character of Forest, the municipality that experienced strong population growth in the early 20th century. Inside, you are immediately captivated by the monumental staircase where Little Red Riding Hood welcomes you, by the door handles of the wedding hall with playful acorn motifs, and by the stained glass windows depicting scenes of workers—an ode to the municipality's industrial past. The whole forms an enchanting journey of discovery that only invites you to explore more. A tour of the town hall of Forest is an experience you won't want to miss.

La Nouvelle Maison in Tervuren is een van de meest persoonlijke en verfijnde creaties van Henry van de Velde – een internationaal vermaard architect die eigenlijk als kunstschilder begon, en uitgroeide tot een invloedrijke figuur in design en modernistische architectuur. Het huis, waarin hij vanaf 1929 zelf met zijn gezin woonde, werd recent met uitzonderlijke zorg gerestaureerd onder leiding van Guido Stegen. De originele kleuren, het subtiele lijnenspel en de minutieuze detaillering werden opnieuw tot leven gewekt, zodat het gebouw vandaag opnieuw straalt zoals Van de Velde het ooit bedoelde.Van de Velde’s visie was uniek: hij zocht naar een synthese van kunst, ambacht en functionaliteit, en brak bewust met overdadige ornamentiek. La Nouvelle Maison weerspiegelt die evolutie in een modernistische vormentaal die tegelijk krachtig en verfijnd is. De afgeronde hoeken, de zorgvuldig gecomponeerde massa’s en de dialoog tussen open en gesloten ruimtes tonen zijn meesterschap en zijn persoonlijke interpretatie van het modernisme.Een bezoek aan La Nouvelle Maison is een zeldzame kans om dit meesterwerk van binnen te ervaren. Het huis blijft een discreet en bijzonder privédomein, en kan uitsluitend met Korei Guided Tours worden bezocht. Tijdens de tour ontdek je hoe een van de grootste ontwerpers van de 20e eeuw zijn idealen in architectuur vertaalde, in een woning die nog altijd even tijdloos en inspirerend is.

A remarkable world lies hidden within the buildings of the former industrial laundry “La Grande Blanchisserie” in Vorst. For more than thirty years, this complex has been home to choreographer Anne Teresa De Keersmaeker and her dance company Rosas, later joined by the P.A.R.T.S. dance school and the Ictus music ensemble. What began as an industrial site has evolved into an international arts hub where people rehearse, dance, and perform.Following an initial expansion of the buildings (1995–2000) by Paul Van Aerschot, the need for more space arose again in 2018. The Brussels-based architectural firm Ouest collaborated with VERS.A to carry out a well-thought-out renovation that preserved the existing features. New dance studios were stacked to minimize the footprint; the sunny south wing became a gathering place with a cafeteria and meeting rooms; and the serene front garden with its large red beech tree remains the defining focal point of the entrance. 164VANVOLXEM is an example of contemporary Brussels architecture in which “living apart together” is the guiding principle: each organization has its own space, yet there is room to come together.During this tour, you’ll get a unique behind-the-scenes look at one of the world’s most innovative dance institutions, located in a complex of buildings dating back to 1900. See how an industrial laundry facility evolved into a creative campus, what the studios and performance spaces look like today, and who knows, you might even feel the urge to dance.

The museum and gardens of David and Alice van Buuren form a rare preserved total work of art in which art, architecture, and lifestyle come together. The house, built in 1928 in the Amsterdam School style, was furnished without any financial constraints: the couple personally selected leading Belgian, French, and Dutch designers to create a refined Art Deco interior that has been preserved in its original state to this day. The Van Buurens welcomed an exclusive circle of guests, including artists, politicians, and international personalities, giving the house an almost mythical allure.Inside, the intimacy of their private world still reigns supreme. Every piece of furniture, carpet, work of art, and stained-glass window was chosen with exceptional care by a couple who had an impeccable eye for art and design. David van Buuren was both a good friend and patron of Gustave Van de Woestijne and owned no fewer than 31 of his paintings. The art collection also includes works by Hercule Seghers, Georges Minne, James Ensor, and Rik Wouters, among others, and is one of the most remarkable private collections in Belgium.The surrounding gardens reflect the same refinement. They were designed at the instigation of Alice van Buuren by the two greatest Belgian landscape architects of their time: Jules Buyssens and René Pechère. A recent restoration was awarded the European Heritage Award / Europa Nostra Award and is considered a textbook example of respectful heritage conservation. During the tour, you will discover both the museum house and the gardens exactly as the Van Buurens intended them to be: unique, elegant, and imbued with artistic vision.